For power users, a standalone Mac app is available and gains some impressive new features. On the iPhone and iPad, new adjustments and workflow enhancements are now available. Camera presets are planned for a future version. On small devices, the interface has been optimized to expand and collapse as needed for maximum usability. The app has also been fully updated to support the new Liquid Retina displays on the inch and On my inch model, the app was quick and snappy, and edits were applied in real-time. This means you can apply presets and adjustments to multiple images in one action.
Since iOS asks for permission before modifying any item in your library, RAW Power completes every item in the batch before saving, meaning you only need to grant permission once.
The new version also takes advantage of the flexibility of macOS to offer more ways to browse and open your images. The same Chromatic Aberration, Perspective, Black and White, Vignette, and Enhance adjustments are available in both the standalone app and Photos extension. The standalone Mac app offers more features than the Photos extension can provide.
I prefer the Photos extension for its simplicity. Folders can be favorited, image metadata is viewable, and Quick Look is supported. The app now supports tabbed windows, so you can browse multiple locations on your drive at once or even edit multiple files simultaneously. Lightroom CC retains all the core photo editing tools from its older sibling, and Adobe has been updating it at a breakneck pace to fill in the functionality gaps. Case in point, Adobe has introduced synced presets, whereby any of your custom presets within Lightroom CC will be automatically synced to Lightroom CC for iPhone, iPad, and even on the web.
For many users, the inclusion of synced presets may be the kick to jump over to Lightroom CC full-time. While there is still a large gap between the capabilities of CC vs Classic CC, this gap has dramatically narrowed over time at a very fast pace. Synced presets are only available on Lightroom CC. Unlike iCloud Photo Library, Lightroom CC lets you manage storage very precisely, so you can explicitly choose which albums should be stored locally and which should remain in the cloud until you call them down. This is crucial for phones and tablets, where storage space is often at a premium.
While it can be daunting to trust your photo library to the cloud, in my usage, the system has been flawless—no delays, no strange errors, no missing photos. Adobe clearly spent a lot of time making sure the underlying architecture is solid, and it has paid off. There are a lot of sections and panels, and it can be a bit much to take in at first. Once you do though, you begin to grasp the logic. Within the Develop module, all the controls are glued to the right side of the screen and exist in a fixed order. But it feels rigid compared to the way other competitors, like Capture One Pro , allow you to customize not only the order of tools, but also which side of the screen any given panel is attached to for a truly personalized workspace.
By taking a clean slate approach with Lightroom CC, Adobe freed themselves to explore what a contemporary photo management and editing environment should look like. Their main focus was on having it scale seamlessly across different devices and screen sizes.
Raw Photo Processor
This seems like a strange idea until you experience the result in person; it allows you the freedom to choose your editing device based on what you prefer to work on. In many cases, especially for existing users, that will remain a traditional desktop or laptop computer. In more concrete terms, the new interface is a lot less busy, and a lot less modular. The left sidebar is now dedicated to your photo library and the albums it contains, and the right side has become a home for different editing panels. Also notable is the very prominent search bar that now lives front and center at the top of the app.
It works well, and because it is powered by machine learning, will continue to improve as more people use it.
The best photo editing suite for macOS - Adobe Lightroom CC
By consolidating things into a single-window design, Adobe has made Lightroom CC feel cleaner, easier, and quicker than its older sibling for mainstream use. The number of resources — from both first and third-party vendors — is simply unmatched. If you need a tutorial, hundreds exist. Forums, YouTube channels, and entire websites exist around this community.
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This is particularly important for professional users, who will find that any gaps in editing functionality within Lightroom are handily filled by Photoshop. In this way, some pros may find themselves preferring the streamlined experience of Lightroom CC, knowing that they can toss images out to Photoshop when they need more powerful editing capabilities. Adobe is no longer offering standalone licenses for their Creative Cloud apps, a fact that has put a lot of subscription-averse people off of using their products.
Steer Clear of Picasa
For the rest of us, Adobe has two main plans dedicated to photographers: You can also increase your cloud storage up to 10TB for an additional fee. Both plans have their merits.
The Creative Cloud Photography Plan is a good fit for advanced users and pros. Luckily, this leaves room for some excellent competitors, the most impressive of which is undoubtedly Capture One Pro.
Now in its 11th edition, Capture One Pro is a proven powerhouse, trusted in high-end studios all over the world. In my usage, I do prefer the output I get from Capture One Pro, but that has more to do with the nature of its tools than their capability. While the tools are more complex, understanding them allows me to get to a pleasing result faster than I can in Lightroom, despite having significantly more experience using Lightroom.
Color tools are vastly superior, offering a powerful wheel-based editor with precise controls for making adjustments to specific color ranges, and a dedicated skin tone module. And for adding that finishing touch, you can choose between six grain algorithms instead of just one. Features like annotations, sessions, tethering, Photoshop round-trip support, and more really push the envelope for professional usage.
The interface is deeply adaptable, allowing you to add or remove tools from the sidebar, detach any tool and resize it for more precise control, re-order tools, even move the location of the sidebars entirely to create dedicated layouts, called Workspaces, that you can save and recall with a keyboard shortcut. And all of its power comes at the expense of intuitiveness.
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Capture One Pro is more daunting to start with than either version of Lightroom. Credit where credit is due though: Capture One Pro is unashamedly focused on professional users, but the growing library of tutorials make it a great choice for ambitious beginners as well.
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For one thing, handling of raw files is rudimentary and inconsistent across platforms. File management in general is a lot less refined, with almost no export options, and only two choices for file storage: The unpredictability of the latter makes for an untrustworthy system when you need to be sure that a certain album is available when you need it, even offline. That being said, organization is good: